The Villa La Roche, responding to an organization mandated by the presence of three trees with an L configuration around the bottom of the cul de sac.
The result is a linear block, parallel to the plaza and an extension to the other side of the road. The settings are divided into separate elements: a linear shaft seals and the other is situated parallel to it.
The constrained potential exists between the two forms appears to put the volume higher than ground level (with the height needed to accommodate the program) while the lowest is lifted to create a pavilion that p
nables the extended road. It is precisely the use of these geometric forms and the approach to nature to what connects us to Neoclassicism.
Such is the closeness to nature reaching critical condition and is part of the planning process. The line curved and independence from the soil produces a dynamic contrast. The two ma sas
volume are connected by a central core that makes the configuration.
The result is a linear block, parallel to the plaza and an extension to the other side of the road. The settings are divided into separate elements: a linear shaft seals and the other is situated parallel to it.
The constrained potential exists between the two forms appears to put the volume higher than ground level (with the height needed to accommodate the program) while the lowest is lifted to create a pavilion that p
nables the extended road. It is precisely the use of these geometric forms and the approach to nature to what connects us to Neoclassicism. Such is the closeness to nature reaching critical condition and is part of the planning process. The line curved and independence from the soil produces a dynamic contrast. The two ma sas
Roche
Seeing the villa, Le Corbusier, I was reminded, once again, Goethe, in his maxims and reflections, he wrote ".. many important things we built for parties! We note the architectural works: we collect on them many elements of regular and irregular manner. "
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