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IngeoArquitectos.Bruno Taut and Peter Eisenman from Cold Ones and Rocky Landscape

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IngeoArtquitectura. Mining Cultural Park of the Basque Country. Architects IMB

In 2002, in order to recover, preserve and disseminate the material elements, industrial, urban and mining infrastructure and culture that derived from it, take the first steps towards the creation of Cultural Park project Mining the Basque Country. As a promoter is the Mining Museum Foundation of the Basque Country, with the collaboration of Spiral Ondarea, which handles musealization large pieces of its collection (this initial order will be the source of this great project) and IMB Architects, who designed the new space of approximately 3,000 m2

More information: ttp: / / www.museominero.net / ParqueCultural.htmm m

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Chillida.

The proposal is to house a new museum, Chillida in the environment of the comb of the winds.

The spectacular cliffs of the west coast of Gipuzkoa hide a unique natural treasure: millions of years of geological history written in successive rock strata due to the continuous action of the sea have been uncovered. This freak training has been given the name of flysch (composed of marine sedimentary formations of thick rhythmic character, mostly turbidites (sediment deposited by a turbidity current, high density) orogenic zones deposited shortly before deformation). This training gives character to the whole coast, including a new Biotope.

After analyzing the environment, and geometry (orientation and inclination) of the strata, I realized that there was a predominant direction approximately coincident with the axis of the plot. From there, those layers turned slightly eroded and deformed differential would disappear. Similarly, these strata were emptied, and internal erosion processes, creating monumental spaces, windows that allow us to see from inside the Concha beach, the sea, feel the wind and the violence of the sea but at the same time be protected. Recover and to continue the telluric forces, connecting with the sea and winds

"I do not speak of space that is outside form, which surrounds the volume, and they live in forms, but speak of the space created forms that live in them and the more hidden asset estántomás acts "Eduardo Chillida.

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Geoarquitecto New forms of mobility

For a moment it escapes from the city, the currents and flows of aggressive predator shot and I imagine stacking vehicles, collected, and vehicles that take you from being brought, electric, silent.

qualifying the car to the city and the people, or people may qualify the car and the city ... because who really takes me a taxi or taxi driver?

And what if we take a taxi without a taxi driver, would change the city if he sleeps in your home is not the taxi driver ... this premise from the beginning to design the new city car, struggling against the domination of the car and the engine compartment and start to rethink the program uses non-polluting vehicles and rooftop solar recharge and have dynamos in wheels-charge itself ... And if a vehicle is used as such but connected to other acquires the status of housing through these accessions that do plot and street ...

2 • PROGRAM

The program could be given in Volume city could be a lively, organic, responsive to the needs of any living being. It is the will of the city, taking care of citizens (living):

1_Las covers or roofs are a possible site for reflection, observation and recharge energy (solar) by rooftop solar or wind to revitalize the car giving it life in the form of energy ... the new forms of energy will not only cable, are cybernetic, says kool haas, and our way of recharging does not harm but that takes advantage of existing light and wind. There are new systems very efficient in capturing, storing and transporting energy.

2_ mixing applications are interconnected to hybridize and see that the distances between the different programs:

pedestrian eat, work, leisure, green space, agua(mar), dormir… si que van a configurar las relaciones de afinidad entre unas bolsas que marquen un uso u otras

PARA EL PEATON CON EL COCHE (car-parking, lavado de coches, accesorios, autoescuelas, carting, simulacion videojuegos, cinecar, autoservicio de comidas, cajeros desde el coche, reparación de coches y tunning, y también podria haber seguros de accidentes y hospital accidentados en trafico asociaciones por la eliminación del automóvil, etc

TIME Is the variable displayed as our ally-enemy according to their size, will involve a use bags to one another or move away.

The possibilities of actions to perform with vegetables, mixed with the possible uses that a city has, set the graphics circulations: a_ pedestrian b_-class vehicles (single), c_ vehicles second-order (stacking, which form new tertiary sector vehicle bus, taxi ... or large families) and third-order d_ vehicles (vehicles carrying the second order, in the city-hub and in its relations with other hub cities, related to point 3 contact with the prospective site location.)

And it is these distances (Space) those involving related programs and these programs are those that make up layers giving meaning and setting the volume of city.

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Benefits of LED lights

A LED is a light emitting diode, that is, a semiconductor device that emits light when electric current flows through. Its great advantage over traditional tungsten filament bulbs, and even off the light bulbs, is its energy efficiency.

The LEDs do not have a tungsten filament as the light bulbs. Therefore, they are more resistant to impact and lasts longer because they are independent of the filament ends burning (when the bulbs are fused).

The efficiency of LEDs is much higher. While the energy efficiency of a bulb is 10% (only one tenth of the energy generated by light) LEDs up to 90% advantage.

The equivalent of a light bulb can be built with about a dozen LEDs. If any break is even possible to replace it. They are cheap and easy to manufacture.

LED bulb I take as an industrial product and we manufacture LED-based bulbs, provides marketing and distribution of LED-based bulbs.

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Environmental Impact of LED lights

The reality of climate change makes the use of energy on a global scale is under intense debate. Lighting is one of the most basic uses of energy in humanity. Today, the lighting means 19% of consumption of worldwide electricity. The low efficiency (about 5%) of old technologies and wasteful lighting highlight the need for improvements in this sector.

Solid State Lighting (SSL, for its acronym in English) has emerged as an alternative technology in lighting with a wide variety of applications. Light Emitting Diodes (LEDs, for its acronym in English) are SSL technology more available in the market, offers a variety of advantages over other lighting technologies, from the efficiency, robustness and longevity to the ability to generate directly a large number of colors. LEDs are currently available and rapidly replacing other light sources as well are now the preferred technology for decorative lighting and various applications. The power LEDs as a source of general illumination (white light), is currently one of their top prospects for the future. This paper presents the technology of LED lighting, focusing on their applications, life cycle and its ability to improve efficiency in lighting.

Why do we need alternatives?

different technologies are currently used in lighting. The oldest, incandescent lighting was originally invented in late 1800, and except for halogen lights, the lamp design has hardly changed since 1930. The most inefficient electric lighting, incandescent light, has a power conversion efficiency of light energy of only 5%. Despite this, they are the most widely used, mainly in the residential sector. Consume 30% of the electricity used for lighting while producing only 7% effective light. Now recognized the need to put an end to the use of incandescent lamps. The major lamp manufacturers reduced their production (BBC 2007) and the governments of different countries and presented initiatives to remove the lamps from the sale.

fluorescent lamps, the current strategy of interior lighting, 64% of electrically generated lighting accounts for 45% of electricity use for lighting. The efficiency of fluorescent lighting varies depending on the type of lamp, but usually is 5 to 8 times longer than incandescents. All fluorescent lamps contain mercury, although in dwindling numbers. Most fluorescent lamps emit ultraviolet light because of the way they work.

The other main group of lighting technologies, discharge lamps, are used in large spaces including outdoor, big halls and shopping malls. Discharge lamps provide 29% of light delivered, representing 25% of the electricity used in lighting.


Most of these types of lamps, produce only a limited variety of colors (eg sodium lamps produce the yellow color). This limits them to applications where color is not important. Some lamps are very efficient (much more than fluorescent lamps) and provide the amount of light needed for applications such as lighting. Still, you can still improve. The mercury vapor lamps, despite being an old inefficient technology that relies on a toxic metal, are used today. Discharge lamps produce light non-directional, making necessary the use of reflectors to ensure that light is directed to the desired direction. Due to poor design of outdoor lighting fixtures (including reflectors), lots of light is wasted resulting in a real reduction in efficiency, and light pollution.

is clear that, although there are a variety of lighting technologies in use today, none is perfect. Many options still have a low efficiency, mainly in residential lighting and specialty lighting. Many efficient products should resign other factors as the quality of color and toxicity. Clearly there is need for further responses to the increasing demand for artificial light, as is the case with LEDs.

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Bocage. Nature in a small space.

Pas areas of Cantabria, Spain presentan un paisaje humanizado dentro de un entramado en donde la presencia de configuraciones básicas que definían el ambiente original mantienen su personalidad o referencia inicial, e incluso en las transformaciones realizadas conservan o nos remiten al medio que nos rodea. Es el paisaje característico del “bocage” o el paisaje de cercas de la Europa Atlántica incorporando ese hábitat disperso que, en cuanto a su localización, organización, tipologías y funciones, corresponde a las exigencias del espacio en que se inserta.

Pero es, quizás, la cerca quien dota de mayor singularidad a este tipo de paisaje. Indeed, the fence takes many forms marking the boundaries between the different elas parc, i ven within membership to the same owner, condensing what some have called "nature in a small space," and play a crucial ecological role in the balance between the existence of many small mammals, birds, reptiles and amphibians in relation to common pests of agricultural crops.

fences also act as windbreaks prevent excessive dryness, leaving a minimum of moisture, and protecting even the edges of farms close to the roads the effects of traffic.

However, what makes the "landscape fence" one of the most unique landscapes in the world is its ethnographic and cultural significance to express the ways of dividing the property or the various uses of the parcels through the use of fences stone hedges of different nature or mixed formulas. Fences and all associated elements, hatches, closures, Morenal, corners ..., along with the variety and attractive combination of material elements, the boulders in miraculous balance calculated with just the right height for the purposes intended without creating screen effect hedges, or artificially planted thorn ... rather the result of having observed some specimens tree or shrub fences are incorporating them into ethnographic values \u200b\u200bwhere they have been depositing the material selection criteria, with the most refined technique, to reconcile the strict functionality and cost savings with a plastic qualities, despite the barbed wire staked and the progressive destruction of the environment, still persist, as our responsibility to preserve it.

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GeoarquiSaludos to Latin America from Spain.

Greetings from Spain to Latin America, especially Chole, Chepina and Poncho, Mexico. Thanks for your ideas, go Moves to blog.

Up soon.

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Features LED lights

· Long life, approximately 50,000 hours (which means reduced maintenance costs).

· High luminous efficiency, which saves on electricity costs (80-100 lumen per watt).

° say cold light (LEDs do not emit IR and UV radiation). This saves on air conditioning costs.

• The on / off is immediate. The small size of LEDs allow a dedicated design and modern lamps.

· high heat tolerance.

* Currently available technology that consumes 92% less than incandescent bulbs, common household and 30% less than most fluorescent lighting systems.

• The use of LEDs in the lighting field (including road signs) is moderate and is expected to increase in the future, as their benefits are greater than the incandescent lamp and fluorescent lamp from different points of view.

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Geoarquitecto. Francisco Javier de Luque.

Recover memory of architects, geologists or mining engineers work always seemed to me very rewarding and enriching. Begin with a good architect, with great craft, perhaps overshadowed by other figures of the time, or historical events he lived, or perhaps a little of everything. Her figure, currently ignored, does not occupy the place it deserves in view of their work.

Francisco Javier de Luque (Sevilla, 1871-Madrid, 1941) architect whose work was little known and virtually ignored by historians, obtained the master's degrees in Physics and Mathematics in Seville (1893) and an architect in Madrid (1899). Although he started his professional career as a professor of Industrial Engineering School of Bilbao, the fact of being a member of the winning team nacionald Competition for construction projects of the New Cathedral of Vitoria, was to devote himself entirely to architecture. He moved to Victoria and began construction of the New Cathedral with his partner and friend Julian Apraiz (1876-1962). In that city lived from 1909 to 1914, bringing the works of the cathedral and constructing buildings both to the bishop as to the bourgeoisie Alava.

built public buildings like the Ministry of the Navy, the third flag-School Institute Isabella Institute today, "the Cajal Institute, School of Public Works today, and the Geological and Mining Institute of Spain. Clarified his biography and framed him in the time he lived, a period of great change both from the standpoint of social history and the history of English architecture, it is difficult to frame it in a particular style.

Some specialists integrate the work of Luque between traditional architectures with survival conservative. We believe his career led him to use different styles in the most radical eclectic current to suit the tastes of their customers and, above all, the imperatives of self-administration for which he worked all his life and that given time, replaced by architects and attached to the Modern Movement, which he did not understand.

Geological Survey.

The most important innovation introduced in the design of Luque was the design of a large rectangular room collections, which occupies the full height the building, which was installed by the museum. Luque designed the building into three clearly defined and differentiated. The front appears well structured, providing more relevant and packaging at the entrance and staircase as a piece that is separate from the rest that was intended for offices and offices. Also adjust the position of the front yards. The area of \u200b\u200bthe museum collections, appears clearly separated by two courtyards twins give way to the big room collections and development in the middle, separating Bordiú Christopher Street with a large patio across the width of the building.

the building.

The detailed study of the various component parts of the building or indicates that Luque was a good architect, with craft and knowledge of the needs of a public building and representative. However, the changes introduced during the long period lasting works, produced a loss of overall design and the end result is a hybrid character building, at first glance, it may cause misunderstandings. Facades


The main facade is the building that was built later. During the period lasting works great changes artistic, social and, above all, political. These changes are detected in this facade. Presents many differences from the original design, which respected the basic composition axis. The facade of the project was an image that is reminiscent of the School of Mines; image Luque chosen as a tribute to his friend and teammate Ricardo Velázquez Bosco.

The main staircase is one of the most unique pieces together for his Monum ental and rare beauty. Communications articulates the front of the building and is noted for spatial processing. Is a staircase that starts with a single central section with landing, to then be divided into two sections at the top.

The impression is that we are in a large opaque white box, completely clad in white marble Macael giving access to the main floor gallery.

Bibliography

Earth and technology magazine.
Anonymous, (1922). Geological Congress in Brussels and the future Congress of Madrid. Magazine Mining and Metallurgical Engineering, 2848, 523.
Carcedo Ayala, FJ (1995). The meaning scientific and technological Manuel Fernández de Castro (1825-1895) one hundred years later. Geological Survey Bulletin, 106 (3), 293-299.
Madariaga, JM and Sánchez Lozano, R. (1918). Progress of a project to construct a building for the Geological Institute of Spain. IGME Historical Archive, Box 1/2/3.
Moya, M. (1941). The visit of His Excellency the Generalissimo the Geological and Mining Institute of Spain. Official Journal of Mining, Metallurgy and Fuels, 1, 28-31.
Pastor Rey de Viñas, P. (2005). Stained Glass Workshop Maumejean Collections at the Real Fábrica de Cristales de La Granja. National Centre Foundation Glass, Diputación de Segovia, 48 pp.
Quinzaños Rivas, P. and Rene Sagristá, T. (2006). Geological and Mining Institute of Spain. Story of a building. Geological Survey of Spain,
Madrid, 207 pp.
Roso de Luna, I. (1926). The XIV International Geological Congress in Madrid Geological Survey. Sphere, 648, 36-37.
Sánchez Lozano, R. (1917). Acquisition of land for the construction of a building for the Geological Survey. Official Journal of Mining and Metallurgy, 7, 14.

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WELCOME THANKS FOR THE GONE

THANKS FOR THE WELCOME THAT HAS BEEN GONE MY BLOG. ARE MORE THAN 300 TICKETS AND MANY POST WITH SUGGESTIONS FOR A VERY SHORT TIME, AND THROUGH THE HOLIDAYS ....

still will these links between geology, nature, architecture .... María josé

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The trees in the Villa La Roche, Le Corbusier.

The Villa La Roche, responding to an organization mandated by the presence of three trees with an L configuration around the bottom of the cul de sac.

The result is a linear block, parallel to the plaza and an extension to the other side of the road. The settings are divided into separate elements: a linear shaft seals and the other is situated parallel to it.

The constrained potential exists between the two forms appears to put the volume higher than ground level (with the height needed to accommodate the program) while the lowest is lifted to create a pavilion that p nables the extended road. It is precisely the use of these geometric forms and the approach to nature to what connects us to Neoclassicism.

Such is the closeness to nature reaching critical condition and is part of the planning process. The line curved and independence from the soil produces a dynamic contrast. The two ma sas volume are connected by a central core that makes the configuration.

Roche

Seeing the villa, Le Corbusier, I was reminded, once again, Goethe, in his maxims and reflections, he wrote ".. many important things we built for parties! We note the architectural works: we collect on them many elements of regular and irregular manner. "

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Reflexion on architecture. Goethe. Crystallography

.... A noble philosopher spoke of architecture as petrified music and had to see gestures of opposition in many minds.

Well, we see no better way to reintroduce this beautiful idea to call the architecture muted music. Orpheus imagine that when he was assigned a large wasteland, wisely settled in the corner as more appropriate and invigorating sounds of his lyre was created around a spacious plaza. The rocks, ripped from the compact mass and promptly moved by pressing sounds seductive power energy and pleasure, they had to adopt the approach full of enthusiasm, so that would have given artists and artisans, to sort after due rhythmic layers and walls . That's adding a street to another, nor missed the protective walls. Sounds are extinguished, but the harmony is ....

Goethe.

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All minerals, exceptición a small percentage are presented as random aggregates of mineral grains in rocks of the crust.

These grains are, in general, the outer faces, but, being crystalline, possesses a domestic order which becomes evident in the peel, optical and x-ray diffraction

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Under certain conditions two or more crystals grow together in a rational and symmetrical. Crystallographically controlled growth such sets are called twins.

surface whereby the two individual crystals are united in twin is known as surface composition of the twin.

twinned crystals are designated usually called twinning as contact or penetration twins.

contact

The twins have a defined binding surface that separates the cristales.Las penetration twins are formed by different interpenetrating crystals with irregular joint surface.

Twinned Pyrite

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architectural architectural Maclas

Can I create landscape architecture from the mineral?, Apart from the crystallography of minerals?.

mineral landscape we consider the reality of the visible and invisible. As a book to be read and that allows us to reflect on areas and physical states.

Considering the crystal as a homogeneous solid that has an internal order tridimensionalcon external geometry and internal structure whose atomic configured connections a nuclear endoskeleton, which serves as a reflection on the crystal symmetry, their empty and full and the generation of architecture.

interatomic structure of calcite.

Minerals buildings began to see them as made up of crystal lattices of atoms, giving us a structural view of the architecture mineral, stone endoskeleton, which like a three-dimensional grid, both on deck and in front, composed of spherical nodes bars, and support elements which generates transescalares spaces, architecture mineral.

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After the excesses of the last decade building, architecture began to become aware of the damage afflicted to the natural environment, reflecting on the various motions put forward by the harmonious relationship with nature.

This relationship depends on a number of variables, but I will centrame in geology as the skeleton of the territory, as a science that explains the time-matter-process and that we are visible in the landscape, in its empty and full . Understanding this relationship and realize that there is no uncertain environments, everyone has their own soul, it can understand if you look right look can lead us to have a new relationship architecture and nature.

Alejandro de la Sota said: "There is no anodyne nature and landscape, all have very deep interest. The architecture can get closer to nature, may be facing and can not forget, and have a significant or important enemies friends dr po expect something from us, never if we live with indolence. "